![]() ![]() ![]() ![]() As well as the show does rounding out most of its primary characters, nearly every episode includes multiple cartoonish secondary prosecuting attorneys, parasitic reporters and sneering cops who render complicated issues black-and-white. It also has only a perfunctory interest in Tia’s political race, though there’s always fun in Turman chewing scenery malevolently or in characters barking truisms that begin with “There’s an old Chicago saying….” Make no mistake, the show has things to say about how Chicago became a national whipping boy - usually from only one side of the political aisle - and embodiment of urban violence and decay, and about the city’s very real institutional problems. The show has almost no interest in the legal side of the case against Officer Evans, either the grand jury process or the evidence that could doom or exonerate him. The Red Line is doubly dull, albeit completely, earnestly and well-meaningly dull, in the elements that are presented initially as most central. This is representative of a lot of The Red Line, a show that does many of the big things extremely well only to undermine them with glaring and avoidable stumbles. If not identical, it’s a shot similar enough to jar me out of the series because of how little it adds and how it turned “This is Chicago!” from something specific to something generic. I’m not 100 percent certain, but I think there’s one drone shot of the Chicago skyline with passing clouds (probably CG) that The Red Line uses four different times in eight episodes. But then there are the incessant and uninspired drone establishing shots that technology has made way too easy for TV shows and documentaries to utilize without informative value. Much of the time, the series does well capturing the differences between Chicago neighborhoods, delivering on-the-ground authenticity of a Windy City that’s heating up along ideological lines and yet shifting into the chill of winter. The other main character in The Red Line is, as that hoary cliche goes, the city of Chicago, and the series’ directors, including pilot helmer Victoria Mahoney and producing director Kevin Hooks, do a mixed-to-positive job with that character. Meanwhile, we’re also spending time with Fisher’s Officer Evans, part of a multigenerational police family that includes brother Jim (Michael Patrick Thornton), partially paralyzed in the line of duty. ![]() The tragedy occurs just as Tia Young (Emayatzy Corinealdi) is beginning a campaign for ward alderman against an entrenched incumbent (Glynn Turman), a race that’s about to be complicated by Tia reaching out to Jira as her birth mother. The victim’s husband Daniel ( Noah Wyle) and adopted daughter Jira (Aliyah Royale) are mourning their loss and looking for justice. The glass canopy above the crosswalk outside of 47th station was improved to include images of the Stock Yards 'L' line that operated over a decade before the Red Line.The shooting is what connects most of our main characters. Sixteen days later, on the 28th, escalators began service in the station as well. On December 12, 2006, an elevator was put in service at the 47th station, making the station accessible to people with disabilities. Access to the station is available from a staircase at the middle of the north side of the 47th Street overpass, where an open canopy crosswalk with traffic signals leads to a bus stop on the south side of the overpass.Ĥ7th closed from May 19 to October 20, 2013, as part of the Red Line Reconstruction Project. The station is located in the median of the Dan Ryan Expressway in the Fuller Park neighborhood. 47th is a station on the Chicago Transit Authority's 'L' system, serving the Red Line. ![]()
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